In Philippines my Philippines, Congress is like a grand theater where microphones are plentiful but patience is scarce. The “plays” here can amuse you, annoy or delight you, make you feel stupid for watching, make you think the actors are stupid for acting—but they will not leave you untouched. And in this theater, two freshman congressmen have recently discovered what every rookie eventually learns: legislation is slow, but grandstanding is instant.
Enter Leandro “Lean” Leviste and Francisco “Kiko” Barzaga, both new to the chamber and, judging by the decibel level of their appearances, very eager to make sure the chamber—and the public—knows it.
Lean comes on like a well-rehearsed TED Talk in a barong—measured tone, earnest gaze, and the unmistakable air of someone who believes Congress is still primarily a college forum for ideas, an amphitheater for Davids to put down Goliaths. He first caught the limelight when he exposed an attempted bribery (which of course he rejected), and the public was quick to hail him as a hero of sorts. It helped that he had that look of wide-eyed innocence about him, but his actions related to his second “expose”—the so-called Cabral files—have led many to question if he is at all that innocent. Otherwise, why is he acting as he’s acting?
Kiko, on the other hand, favors a more kinetic approach. Why merely speak when you can perform? His style suggests that Congress is not just a legislative body but a live-action drama, where passion must be projected to the last row, and indignation is best served hot, loud, and spiced with a little pa-cutesie: meow-meowing to the camera to the delight of his fans. On the floor he’s like a “kanto boy” in coat and tie; in social media he’s just as “astig”. He got suspended for 60 days for conduct unbecoming a public servant—dapat lang!
Let me digress a bit: five of his colleagues objected to that suspension, saying it was too harsh a penalty for such light offenses. Obviously, those objectors are not future-oriented, unable to see the possible effect that Barzaga’s “kabastusan” could create in young minds.
This reminds me of a practice in the Philippine countryside which illustrates the wisdom and the justice in considering the future when it comes to penalties. If you run over a hen, you don’t just pay its owner the market value of that fowl—you are charged much more, because you must pay as well for the eggs she could have laid.
Public servants are supposed to embody a sense of propriety and delicadeza precisely because their behavior sets the tone for the community. When a lawmaker publicly behaves in ways that demean the dignity of the office, the damage is not merely personal—it is institutional and intergenerational. Does Kiko care at all for the impressionable minds in his audience? If you go light on him today, expect to see countless Kiko clones tomorrow.
Back to Kiko and Lean. Both men—or boys—seem to believe that visibility equals velocity. They share the same rookie instinct: both don’t want to wait to be noticed. They are congressmen but instead of focusing on lawmaking they’re behaving like rabble rousers. Maybe they think that creating bills may take years, while press conferences and viral clips take minutes.
Okay, maybe they mean well, they may even be driven by youthful idealism, young as they are, but one can’t help thinking these guys are grandstanding. To be fair, grandstanding is practically a rite of passage. Congress all over the world has always been a cross between a lawmaking body and an audition stage. The difference is that Lean and Kiko are auditioning not just for their colleagues, but for algorithms. I imagine them rehearsing their lines, with their staff hovering nearby, hissing, “ Sir, that line will trend!”
Their styles and approach to grandstanding may be worlds apart but they seem to have something in common: ambition. (Yes, I’m being “judgmental”. But I’m only judging the image they’re projecting, not their person. They’re exposing themselves in media, they’ll be judged through the lenses of media). Congress has always attracted ambition; what is unusual today is not ambition itself, but how early it now introduces itself—fully dressed, mic’d up, and ready for prime time.
Both Kiko and Lean are highly visible, and both are apparently convinced that the first order of business is not quiet mastery of the legislative process but early brand definition.
Lean presents himself as the thoughtful reformist-in-training: often articulate, composed, and sounding like the reasonable adult in the room—as long as no one ruffles his feathers. His interventions feel less like legislative participation and more like positioning statements—carefully crafted to signal national leadership qualities rather than district-level concerns. I get the impression that each appearance is auditioning not only for colleagues, but for some future debate stage with a much larger audience. (After all, didn’t Digong once flatter him by referring to him as a future president? The seed of ambition, planted).
Kiko’s approach suggests that leadership is best established through intensity—strong words, strong emotions, “masa” appeal, and the urgency of someone determined not to be overlooked. He’ll say what he wants to say, when and how to say it, bully whom he fancies, and never mind about GMRC (good manners and right conduct). He has also revealed his plan to file an impeachment complaint against the President. This to me sounds more like strategy—such a bold move by a newbie congressman confers instant national visibility, regardless of whether the case proceeds. When a newcomer leaps immediately to the highest possible confrontation, it is often read not as courage alone, but as pre-mature self-positioning—a signal that the future being imagined is larger than the office currently held.
Where Lean projects “presidential calm,” Kiko projects “presidential fire.” Different styles, same subtext: “Notice me now, remember me later.” What unites them is not ideology, but timing. This early in their congressional careers, both appear less focused on the slow, unglamorous work of legislation and more on keeping a high profile. Committee diligence does not trend. Amendments do not go viral. But a well-timed speech—especially one that flatters public frustration—travels fast and ages well for future campaign reels.
To seasoned observers, their behavior reads less like youthful enthusiasm and more like pre-positioning. The House floor becomes a rehearsal space, each appearance a subtle reminder that these young men are thinking far beyond their current mandates. District representation becomes secondary to national recognizability; governance, a backdrop to ambition.
Is ambition a sin in politics? Of course, no! The concern arises when ambition outruns responsibility—when the performance of leadership substitutes for the practice of it. The danger is not that these freshmen dream big, but that they may skip the necessary apprenticeship that turns aspiration into competence.
Perhaps, with time, Lean will loosen his tie, and Kiko will lower his volume, and both greenhorns will allow Congress to shape them more than they shape their image. Perhaps both will learn that the dull art of compromise is where actual change happens. Until then, the House floor remains well-lit, the microphones are on, and the freshmen, determined not to waste their moment, make sure the cameras are rolling. And that’s the truth.
















